A Ribbon-trimmed Fifi Camisole/Slip

Last summer Sew Crafty Online held a Facebook competition with a huge prize package. I couldn't believe that I won and was speechless when the incredibly generous prize arrived in the post. All of Tilly and the Buttons sewing patterns, with fabric, a carrier bag and a neat measuring tape were included.

 

It really is about time I sewed something from that wonderful parcel...

 

I picked the Fifi camisole pattern (extending the length), some beautiful AnnaMarie Horner voile fabric (from my stash), soft blue denim and sage gingham ribbons from Jane Means ..... et voilà!

 

 

 

This pattern was a very pleasant surprise - excellent & detailed instructions, easy to sew, neat finishing techniques, bias-cut and gently fitted shape. I hadn't expected these details from Tilly's patterns. My perception (inaccurate) was that her patterns were basic and mostly unfitted/loose as some of the earlier ones were.

 

 

I both simplified and complicated the sewing process. Using ribbons made it easier to create the straps, but making them adjustable needed a little more brainpower! I attached ribbon loops at the back and threaded the ribbons through. This was an easy alteration to make, and would be very useful if making the Fifi pattern as a gift with nobody available for fitting.

 

A soft ribbon like this denim ribbon is recommended as I was able to press it into shape, to conform to the curves of the pattern. Good pressing technique is crucial to make ribbons work for this pattern, and it is worthwhile for the time it saves in creating bias strips.

 

 

 

 

Not wanting to lose length at the hem, I sewed a tiny seam covered with gingham ribbon hem to preserve as much length as possible.

It was necessary to get very creative when I realised I was short a few cm of ribbon for the hem. I turned to another favourite ribbon company of mine, Farbenmix and added a woven patch and a short piece of one of their fun woven ribbons to cover the gap.

 

 

The beautifully neat, inside finishing details are, very impressively, all included in the pattern instructions. Usually I would have to figure out how to include these details myself.

 

 

Adding a ribbon to the hem is not included in the pattern instructions, but gives a little extra weight to the hem and also finishes it neatly - as seen from the inside.

 

 

All the inside seams are French-seamed and the inside back view shows how well the pattern is designed and styled for a closer fit at the back.

 

I love this pattern and have a bias-cut, ivory bamboo silk version with gingham bias trim and straps cut and ready to sew.

 

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Basic Black - A Japanese Pattern Book Review

Basic Black is a book of sewing patterns by a Japanese designer Sato Watanabe. This is one of the more interesting and exciting Japanese Pattern Books that I have used, particularly because it includes patterns for garments that are designed with shape, rather than the usual loose fitting Japanese styles.

 

Unlike Sato Watanabe's Stylish Skirts book that I also reviewed, there is a lot less drafting, measurment and creation of pattern pieces in this book. Pattern sheets, which are printed on both sides, are included with the book.

 

What is most surprising about this book, is that the original publication date of the Japanese edition was 2005, but you would never guess that based on the designs in this English translation from Tuttle Publishing.

 

 

 

There are 26 patterns in the book - 7 shirts/blouses, 10 dresses, 8 coats/jackets/vests and 1 skirt in both loose and fitted styles. There is some minor pattern drafting needed, in approx half of the patterns. This involves adding length, facings, marking pleats, simple skirts & rectangular shapes.

The sizing is unlike most Japanese pattern books, in that the finished measurments of garments are shown. This means that when taking measurments to pick which size to sew, you need to consider how much ease you like and add this to your measurments before comparing them with the chart. This makes choosing a size awkward, but accurate. Taking this into account the largest size in the book is about the same as US size 16-18, but because the patterns are multisized, they could easily be graded up a size or two.

 

 

Garments are grouped into 3 different types of fit - those with shaping, fitted & loose, and there is even a fitted jacket.

Most of the patterns are at an advanced beginner level, with only 3 that I could identify as beginner.

 

 

Wanting to write a fair review the book, I sewed pattern 'w'. This is a pattern for a long sleeved knit top with an asymmetrical neckline finished with bias and an asymmetrical hem finished with ribbon trim.

In the introduction, Sato Watanabe writes about loving black clothes since she was a child. But I didn't quite keep to the colour ethos of the book .....

...... it's more of an 'Orange is the New Black' look! The orange jersey was bought recently from Volksfaden.de and the ribbons are from janemeans.com

 

 

The pattern indicated that the neckline should be finished with bias, but I chose to match the neckline with the same brown striped ribbon that I used on the front and back hems. As jersey tends not to fray, I sewed the ribbon directly onto the outside of the fabric with a long stitch.

 

 

The sleeves were cut in three pieces and slightly narrower than indicated because I had only 1metre of fabric. I added flat piping between the sleeve seams and sewed the sleeve hem with sage green stitched grosgrain ribbon also from Jane Means. The technique I used for sewing the sleeve hem is one I used before and described in detail here

 

 

 

There are quite a large variety of sewing techniques illustrated in the clear diagrammatic form that Japanese Pattern books are renowned for. These techniques include facings and bindings as well as collars and plackets among others. Each part of the technique is drawn in detail and diagrams are numbered to make them easier to follow.

 

 

The fit is exactly as it looks in the book picture, except that my sleeves are narrower. I also added about 5 cm of length to the front and back as the top seemed shorter than I preferred. Because only finished garment measurements are given in the book, I measured my pattern pieces against a RTW top to make sure I picked the correct size.

This book is beautifully presented and has an excellent selection of diverse patterns for coats, dresses, skirts and tops in loose, semi-structured and fitted styles. It took me ages to decide on a pattern to sew because there are more that I want to make, including a zip-up jacket, two dresses and a shirt.

 

 

(Tuttle Publishing sent me this pattern book free. All opinions are my own. I have been happily sewing from Japanese language pattern books since 2009)

 

 

 

 

 

 

 

 

 

 

 

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How to Sew a Ribbon Hem

Sewing ribbon to the hem edge of a garment is an easy finishing technique. It adds an extra detail and can also be used to preserve the length of the hem. I regularly use ribbon to finish hems as well as sleeve and neckline edges, though I wasn't always confident in doing so. The soon-to-begin Belcarra Sewalong means that it's as good a time as any to show how I sew ribbon hems.

 

 

 

 

 

 

I sewed ribbon hems for the two Belcarra blouses from Sewaholic Patterns that I recently made. I liked the unhemmed length of the blouses, and didn't want to turn up a full hem. Also, the fabric in both was lightweight, so I wanted to add a little weight to the hems.

 

 

 

 

 

 

 

 

A huge variety of ribbons will work for hemming purposes. It is useful, but not necessary, to match the ribbon type with the fabric type. For the beige Liberty tana lawn cotton Belcarra blouse, I used a cotton stitched ribbon from janemeans. For the green AnnaMarie Horner cotton voile blouse, I used a polyester ribbon also from janemeans.

I would strongly recommend prewashing the ribbon in the same manner that you will treat the finished garment.

What you need:

-A sharp/new sewing machine needle

-Good quality grosgrain or cotton ribbon, the same length (+1.5cm overlap) as the hem

-Matching thread colour - matched to the ribbon colour rather than the fabric.

-Garment with side seams sewn & finished, ready for hemming

 

 

Step 1:

Place the wrong sides of the fabric and ribbon together. If the ribbon doesn't have a wrong side, choose one side as the wrong side.

Place the ribbon on the fabric so that the right side of the ribbon and the wrong side of the fabric both face up as in the picture

Ensure the ribbon overlaps the fabric edge by approx 1cm or up to half the width of the ribbon.

Sew the long left edge of the ribbon to the hem edge using a long stitch length. The line of stitching should be approx 2-3mm in from the long left ribbon edge.

 

 

 

Step 2:

When you have stitched all around the hem, cut the ribbon allowing for an extra 1.5 cm to fold under. Fold the end of the ribbon in by 1.5 cm and continue sewing. Backstitch when you have sewn the overlap. This line of stitching will become the lower edge of the garments hem.

 

 

 

Step 3:

Turn the garment so that the right side of the fabric faces upward. Fold the ribbon over at the stitching line, so that the ribbon covers the raw hem edge and the right side of both the ribbon and the fabric are facing up. Press the ribbon and fabric.

 

 

 

Step 4:

With the right sides of the fabric and ribbon facing upwards, sew along the edge of the ribbon, enclosing the raw edge of the fabric.

 

 

 

Step 5

When you reach the folded short end of the ribbon, sew across the ribbon width and backstitch to finish.

Step 6:

Press hem edge again.

 

 

This technique works perfectly on straight hem edges, but will also work on a slightly curved edge. If you wish to sew a ribbon hem on a circle skirt/dress edge, a narrow ribbon will work better.

 

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